The American Contemporary Clarinet Concertos of John Corigliano, William Bolcom, Joan Tower, and John Adams

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dc.contributor.advisorDiLutis, Roberten_US
dc.contributor.authorRynes, Matthewen_US
dc.contributor.departmentMusicen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.date.accessioned2020-07-07T05:30:31Z
dc.date.available2020-07-07T05:30:31Z
dc.date.issued2019en_US
dc.description.abstractThe clarinet concertos by John Corigliano, William Bolcom, John Adams and Joan Tower are among the most technically demanding pieces for the instrument of the last half-century. Each of the four composers utilizes a unique musical language that borrows from earlier pieces and musical styles. All four concertos also challenge the clarinetist’s ability to interpret various musical styles from contemporary and popular genres. This document outlines the form of each concerto, the various compositional languages utilized by each composer, and the popular and contemporary genres borrowed in each concerto.en_US
dc.identifierhttps://doi.org/10.13016/oigq-tcfu
dc.identifier.urihttp://hdl.handle.net/1903/26015
dc.language.isoenen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pquncontrolledClarineten_US
dc.subject.pquncontrolledConcertoen_US
dc.subject.pquncontrolledJoan Toweren_US
dc.subject.pquncontrolledJohn Adamsen_US
dc.subject.pquncontrolledJohn Coriglianoen_US
dc.subject.pquncontrolledWilliam Bolcomen_US
dc.titleThe American Contemporary Clarinet Concertos of John Corigliano, William Bolcom, Joan Tower, and John Adamsen_US
dc.typeDissertationen_US

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