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A Cluniac Office of the Dead

dc.contributor.advisorHaggh-Huglo, Barbara Hen_US
dc.contributor.authorHilton, Suzanne Men_US
dc.date.accessioned2006-02-04T08:02:19Z
dc.date.available2006-02-04T08:02:19Z
dc.date.issued2005-12-20en_US
dc.identifier.urihttp://hdl.handle.net/1903/3268
dc.description.abstractThe medieval office of the dead has received only passing mention in studies of Western plainchant. Its rapid diffusion and increase in practical use throughout Europe is a consequence of priorities in worship at the Abbey of Cluny and the introduction of All Souls' Day to the Christian calendar. Gabriel Beyssac investigated the Cluny office of the dead, but his results were not published. Only Knud Ottosen, a professor of theology at the University of Aarhus, has described it within a book on the responsory and verse texts for known Western offices of the dead, which does not consider the music. The place of the office of the dead in the liturgy of Cluny will be discussed. The musical structure of the office and its melodies will be identified. An edition of the office from the manuscript breviary, Solesmes (Sarthe), Abbaye Saint-Pierre, Bibliothèque, Réserve, Ms. 334, concludes the thesis.en_US
dc.format.extent39444914 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.titleA Cluniac Office of the Deaden_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentMusicen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pquncontrolledOffice of the deaden_US
dc.subject.pquncontrolledClunyen_US
dc.subject.pquncontrolledDivine Officeen_US
dc.subject.pquncontrolledChanten_US
dc.subject.pquncontrolledVotive Officeen_US
dc.subject.pquncontrolledDeathen_US


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