This performance dissertation explores solo cello repertoire with connections to the English pastoral style. Although pastoralism peaked in popularity between the two world wars, its essential features have been newly embraced by several twenty-first century British composers. Each work discussed here displays some or all of the following pastoral traits: references to the folk music traditions of the British Isles, musical depictions of nature, melodic or harmonic modalism, non-functional (“coloristic”) chordal writing, expressions of nostalgia, and references to historical British music. The performance programs are comprised of works for unaccompanied cello, works for cello and piano, a cello duo, and a cello concerto with string orchestra accompaniment.