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http://hdl.handle.net/1903/2229

 

Effective July 1, 2010, the former departments of Dance and Theatre were combined to form the School of Theatre, Dance & Performance Studies.

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  • MAKING DO: AN EXAMINATION OF HISTORIC POVERTY AND CONTEMPORARY SUSTAINABILITY THROUGH THE COSTUME DESIGN OF KURT WEILL’S STREET SCENE 

    Ahern, Kristen Patricia (2019)
    This document demonstrates a case study of the process of researching, envisioning and producing the costume design for a production with an emphasis on environmental and ethical values in design. The production featured ...
  • ZAUBERNACHT & MAHAGONNY-SONGSPIEL: A PROJECTION DESIGN 

    Deziel, Paul (2019)
    The following thesis navigates the artistic ideas and concepts, design process, and execution of Paul Deziel’s projection design for Maryland Opera Studio at the University of Maryland – College Park’s production of ...
  • Clove: A Lighting Design & Hamlet Replayed: A Projections Design 

    Uremovich, Dylan Taylor (2019)
    The purpose of this thesis is to provide research, supporting paperwork, and production photographs that document the lighting design for the production of CLOVE by Paige Hernandez and the projection design for the production ...
  • 's (apostrophe s) 

    Stone, Shawn Truman (2019)
    Through the writing of this thesis I define and explain ‘s (apostrophe s) as a contemplative dance engaging in a multi-disciplinary approach. In order to better understand what defines dance and art as contemplative, I ...
  • Costume Design for Little Shop of Horrors 

    Weigel, Brian Benjamin (2019)
    This document serves as a description of the design process for the costume design of the University of Maryland’s production of Little Shop of Horrors, which ran from October 4-12, 2018 in the Kay Theatre of the Clarice ...

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