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Context, Ideology, and Performance in Charles Ives's Symphony no. 4

dc.contributor.advisorRoss, James Een_US
dc.contributor.authorJacko, Michael Alexanderen_US
dc.date.accessioned2014-06-24T06:05:02Z
dc.date.available2014-06-24T06:05:02Z
dc.date.issued2014en_US
dc.identifier.urihttp://hdl.handle.net/1903/15297
dc.description.abstractSymphony No. 4 by the American composer, Charles Ives (1874-1954), represents a monument in Western music. This was Ives's signature work composed for his grandest medium, the symphony orchestra with chorus, marking the most ambitious musical endeavor that the composer ever completed. Realizing Ives's achievement, however, presents a unique set of challenges to the performer. The piece consists of four movements largely disparate in musical style and content. Since its full premiere in 1965, the Fourth has proven as difficult to comprehend ideologically as it is to perform. Set in two chapters, this study begins by presenting a context for the Fourth Symphony, composed of relevant musical examples from Ives's oeuvre. The second chapter focuses exclusively on the Fourth Symphony, rendering a performance-based analysis of the work. This document serves primarily as a performance guide, confronting a conductor's obstacles in rationalizing and disarming a conceptually and logistically intimidating piece.en_US
dc.language.isoenen_US
dc.titleContext, Ideology, and Performance in Charles Ives's Symphony no. 4en_US
dc.typeDissertationen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentMusicen_US
dc.subject.pqcontrolledMusicen_US
dc.subject.pquncontrolledCharlesen_US
dc.subject.pquncontrolledConductingen_US
dc.subject.pquncontrolledFourthen_US
dc.subject.pquncontrolledIvesen_US
dc.subject.pquncontrolledPerformanceen_US
dc.subject.pquncontrolledSymphonyen_US


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