The need for critical reflection and dissemination of cross-border Hispanic theatre is the main focus of this research. Through this work I explore the influence of the paradigm shift from modernity to postmodernity in Western and Hispanic drama. I also delve into the impact of the new systems of representation of history and interdisciplinary studies on Hispanic theatre. In addition, I address the interconnections between history and literature, which have modified dramatic narrative processes and techniques as well as the construction of characters. In conclusion, I present a bilingual (Spanish-English) web site, www.hispanictheatre.org, devoted to cross-border Hispanic theater. This is a type of theatre that, in essence, reconstructs history, revises canons, problematizes discourses, establishes relationships between local and global issues, and takes into account the audience context; it is a transmedia creation produced by collaborative efforts, and is committed to breaking barriers of language, space, and time.