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dc.contributor.advisorSmith, Martha N.en_US
dc.contributor.authorSatelmajer, Ingriden_US
dc.date.accessioned2004-06-04T05:34:10Z
dc.date.available2004-06-04T05:34:10Z
dc.date.issued2004-04-27en_US
dc.identifier.urihttp://hdl.handle.net/1903/1405
dc.description.abstractMy dissertation addresses Emily Dickinson's neglected periodical poems of the 1890s. In examining these poems, it 1) updates and recasts the narrative of Dickinson's posthumous production and 2) challenges long-held assumptions about periodical culture that have contributed to that culture's neglect. Since circulation figures of the periodicals easily exceeded sales figures for Dickinson books in the 1890s and some poems remained uncollected until almost the mid-twentieth century, these poems are vital for understanding the reception and publishing history of Dickinson's poetry. Further, the movement beyond authorial intention in textual studies encourages us to look at "unsanctioned" texts like Dickinson's periodical poems. My project unseats the book-centered nature of production and reception narratives and challenges larger perceptions about the presentation and distribution of American poetry in the nineteenth century, foregrounding the central role periodicals played in fostering and recording readers' desire for the genre. This project initially examines how Dickinson's periodical texts worked in concert with the marketing of the four Dickinson books published in the 1890s: POEMS (1890), POEMS (1891), LETTERS (1894), and POEMS (1896). In such places as the children's magazine ST. NICHOLAS, the Dickinson editorial team of Thomas Wentworth Higginson and Mabel Loomis Todd sought out broader markets and worked to create an image of the poet that would increase the public's appetite for her. The periodicals, however, served as more than mere "handmaidens" to the books. My project employs archival research to examine how Higginson and Todd's editorial production of Dickinson after the author's death clashed with similar efforts in SCRIBNER'S MAGAZINE and the INDEPENDENT by Susan Dickinson (Dickinson's sister-in-law), an editor whose work has been ignored in part because her successes were realized solely in periodicals. But Dickinson's publication record also reveals that periodicals were not a transparent medium for the expression of editorial intention. The reader-based rejection of Dickinson in the CHRISTIAN REGISTER reveals the active role readers played in periodical culture. And in the YOUTH'S COMPANION, an early media giant, the concerns of a sizable and powerful institution trumped those of any author or author-based editor.en_US
dc.format.extent2566900 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.titleRemapping Dickinson and Periodical Studiesen_US
dc.typeDissertationen_US
dc.relation.isAvailableAtDigital Repository at the University of Marylanden_US
dc.relation.isAvailableAtUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentEnglish Language and Literatureen_US
dc.subject.pqcontrolledLiterature, Americanen_US
dc.subject.pquncontrolledEmily Dickinsonen_US
dc.subject.pquncontrolledNineteenth-century periodicalsen_US
dc.subject.pquncontrolledAmerican literatureen_US
dc.subject.pquncontrolledNineteenth-century poetryen_US
dc.subject.pquncontrolledTextual studiesen_US
dc.subject.pquncontrolledBook historyen_US


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