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The Mystery That Prevails: Drawing Fragmented Worlds

dc.contributor.advisorGavin, Dawnen_US
dc.contributor.authorLaing, Sarah Anneen_US
dc.date.accessioned2010-07-03T05:39:03Z
dc.date.available2010-07-03T05:39:03Z
dc.date.issued2010en_US
dc.identifier.urihttp://hdl.handle.net/1903/10478
dc.description.abstractThe body of work I have made for my thesis exhibition is built from organic imagery that hints at diagrammatic filtering of information, but repeats, contorts and layers to become an unsettling conversation between the known and the unknown. In this essay, I discuss my use of repetitive drawing and the rendering of strange, shifting landscapes as a means to describe the uncanny nature of my surroundings as I move from one place and experience to the next. At the same time, I discuss indirect concerns of shared displacement and discontent within a world of unforeseeable changes.en_US
dc.titleThe Mystery That Prevails: Drawing Fragmented Worldsen_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentArten_US
dc.subject.pqcontrolledFine Artsen_US
dc.subject.pquncontrolledDrawingen_US
dc.subject.pquncontrolledLaingen_US
dc.subject.pquncontrolledSarahen_US


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