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Mantegna's 'Mars and Venus': The Pursuit of Pictorial Eloquence

dc.contributor.advisorGill, Meredith J.en_US
dc.contributor.authorCody, Steven Josephen_US
dc.date.accessioned2010-02-19T07:11:45Z
dc.date.available2010-02-19T07:11:45Z
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/1903/10015
dc.description.abstractThis paper examines the pictorial composition of Andrea Mantegna's Mars and Venus and its relation to the culture of letters and antiquarianism present in the studiolo of Isabella d'Este Gonzaga. By analyzing Mantegna's use of contrapposto, a visual motif stemming from the rhetorical figure of "antithesis," I argue that the artist formally engages Classical rhetoric and the principles of Leon Battista Alberti's De Pictura. Mantegna's dialogue with Albertian and rhetorical theory visually frames the narrative of Mars and Venus in a way that ultimately frames the viewer's understanding of Isabella's character as a patron of the arts. But it also has ramifications for how the viewer understands Mantegna's activities as a painter. By focusing my investigation on the significance of pictorial form and Mantegna's process of imitation, I look to emphasize the intellectual nuances of Isabella's approach to image making and to link Mantegna's textual knowledge to his visual recuperation of Classical art.en_US
dc.titleMantegna's 'Mars and Venus': The Pursuit of Pictorial Eloquenceen_US
dc.typeThesisen_US
dc.contributor.publisherDigital Repository at the University of Marylanden_US
dc.contributor.publisherUniversity of Maryland (College Park, Md.)en_US
dc.contributor.departmentArt History and Archaeologyen_US
dc.subject.pqcontrolledArt Historyen_US
dc.subject.pquncontrolledcontrappostoen_US
dc.subject.pquncontrolledIsbella d'Esteen_US
dc.subject.pquncontrolledMantegnaen_US
dc.subject.pquncontrolledpictorial compositionen_US
dc.subject.pquncontrolledstudioloen_US


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