English Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/2766
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Item Pink Survival Porn and its Malcontents: Visual Breast Cancer Narratives in Contemporary American Media(2020) Flanigan, Lauren Nicole; Walter, Christina; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)The biggest problem with American depictions of breast cancer survivors in contemporary media is that they’re too pink, i.e. they represent the cheerful image of a white, heteronormative, cis-gendered woman of upper-to-middle-class means who easily overcomes her disease. Such patient depictions in photographic portraits, graphic novels, and television (ad campaigns or fictional episodes) suggest that only women who adhere to white feminine gender codes and sexual aesthetics can achieve survival. Meanwhile, BIPOC, LGBTQIA, and poor patients disproportionately die from breast cancer due to inaccessible or unequal care related to their lack of media representation as bodies that matter. Their truths are glossed over in the fantasy of what I call survival porn, which coopts and genericizes individual cancer experiences into a pink consumer kumbaya that benefits corporations rather than their disease-ridden constituents. This dissertation therefore examines the historical origins of pink ribbon culture, feminist health movements, and their visual entanglement with optimistic, white media metanarratives to determine why and how certain “survivors” become indoctrinated into sheroic narratives of overcoming the disease while “others” are written out of the picture altogether. Successful survivors are shown self-fashioning their personas in accordance with white, heteronormative standards of femininity judged appropriated by patriarchal medicine and cosmetic magnates. Counternarratives focusing on gender-bending these disease expectations, however, begin to chip away at the veneer of aesthetic survival, rescripting illness identities to be more inclusive of those on the fringes, for example: men, lesbians, and women of color; individuals whose inclusion within survival narratives help uncover causal determinants of breast cancer, like environmental toxins. My analysis of these personal, more plural narratives create space in the dominant, pink visual discourse for non-white and gender-fluid folx who likewise deserve to live a considered life, as defined by Audre Lorde in her Cancer Journals. Whether living with or meeting their ends from breast cancer, my academic inquiry into survival ultimately calls for an ethic of pragmatic optimism and authentic corporeal representation to allow patients with various diseases and disabilities, regardless of age, class, gender, race, or sexual orientation, to ensure greater health equity and quality of care in the United States.Item RACE, GENDER, AND CLOSURE IN LATE VICTORIAN FICTION(2020) Butler, Virginia Lynn; Richardson, Brian; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)While the study of closure in Victorian fiction has been marked by astute interventions in gender theory, these insights often fail to take an intersectional approach, particularly when it comes to the racial dynamics of the expanding British Empire. Race, Gender, and Closure in Late Victorian Fiction studies how ethnicity, foreignness, and race complicate our preconceived notions of gendered closure that often posit the narrative options for women as a moralistic system that rewards with marriage or punishes with death. With the expansion of the Empire, the Victorian Novel expanded its ability to depict foreign space; however, our understanding of gendered closure has not taken a sufficient correlative leap to include women of color or ethnic bodies that exist outside of the purview of the British domestic sphere. By analyzing the closural ends for English characters in foreign space, the conclusions of hybrid characters and hybridized space, and the fates of characters and spaces subject to imperial control, this project aims to further develop our understanding of narrative closure for Victorian fiction, ultimately demonstrating the limitations of the marriage/death binary for female characters. Race, Gender, and Closure in Late Victorian Fiction shows the rhetorical violence of being forgotten within the text yet reveals the ways in which these lapses express how the line between Victorian and Modernist genre expectations blur, ultimately demonstrating the ideological instabilities of what we perceive as Victorian narrative mainstays of closure themselves.