UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
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Item King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494(2016) Riesenberger, Nicole Joy; Gill, Meredith J.; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture.Item The New Politics of Patronage: The Arms Trade and Clientelism in the Arab World(2012) Marshall, Shana R.; Telhami, Shibley; Government and Politics; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In states without robust democratic institutions, public resources are often allocated on the basis of patronage. This distribution of patronage, along with the manipulation of official institutions (such as electoral systems and the judiciary) and the deployment of the coercive arms of the state provided the formula for authoritarian longevity in the Arab World. However, much regional scholarship continues to focus on the process through which patronage is distributed with little reference to how the underlying resources accrue to Arab regimes in the first place. Such studies fail to interrogate the organizational and financial interests of the external institutions (such as oil markets and aid organizations) that mediate this transfer of resources, and how those interests shape methods and patterns of resource distribution within Arab States. This paper is an attempt to identify some of these institutions and patterns by focusing on the array of patronage resources made available through the arms purchases executed by regional governments. The specific class of resources examined here is reciprocal investment contracts that U.S. defense firms negotiate with procuring country governments in order to facilitate arms sales, known in industry parlance as `defense offsets.' Procuring states design their own offset policies, including the amount of investment that foreign arms manufacturers are required to make and the domestic enterprises where those funds must be allocated. The procuring state's discretion over the process allows us to draw some conclusions about how these governments distribute offset investment to strengthen incumbents' patronage-based support networks. This analysis also reveals how U.S. defense firms are able to influence the negotiation process in order to secure their own financial benefits. By examining how defense firms and their customers in the Middle East collude to structure weapons contracts in order to generate offset agreements that are mutually beneficial, we gain a better understanding of how patronage politics operates in the contemporary regional context. We are likewise alerted to the subtle ways in which influential external actors can insinuate their own interests into the process, and how the interactions between these groups create ever-evolving new opportunities for patronage politics.Item Amalia van Solms and the Formation of the Stadhouder's Art Collection, 1625-1675(2012) Treanor, Virginia Clare; Wheelock, Jr., Arthur K.; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation examines the role of Amalia van Solms (1602-1675), wife of Frederik Hendrik, Prince of Orange and Stadhouder of the United Provinces of the Netherlands (1584-1647), in the formation of the couple's art collection. Amalia and Frederik Hendrik's collection of fine and decorative arts was modeled after foreign, royal courts and they cultivated it to rival those of other great European treasure houses. While some scholars have recognized isolated instances of Amalia's involvement with artistic projects at the Stadhouder's court, this dissertation presents a more comprehensive account of these activities by highlighing specific examples of Amalia's patronage and collecting practices. Through an examination of gifts of art, portraits of Amalia and her porcelain collection, this study considers the ways in which Amalia contributed to the formation of the Stadhouder's art collection. This dissertation seeks to provide a greater knowledge not only of Amalia's activities as a patron and collector, but also a more throrough understanding of the genesis and function of the collection as a whole, which reflected the power and glory of the House of Orange during the Dutch Golden Age.