UMD Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/3
New submissions to the thesis/dissertation collections are added automatically as they are received from the Graduate School. Currently, the Graduate School deposits all theses and dissertations from a given semester after the official graduation date. This means that there may be up to a 4 month delay in the appearance of a given thesis/dissertation in DRUM.
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Item Making English Low: A History of Laureate Poetics, 1399-1616(2018) Maffuccio, Christine; Coletti, Theresa; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)My dissertation analyzes lowbrow literary forms, tropes, and modes in the writings of three would-be laureates, writers who otherwise sought to align themselves with cultural and political authorities and who themselves aspired to national prominence: Thomas Hoccleve (c. 1367-1426), John Skelton (c. 1460-1529), and Ben Jonson (1572-1637). In so doing, my project proposes a new approach to early English laureateship. Previous studies assume that aspiration English writers fashioned their new mantles exclusively from high learning, refined verse, and the moral virtues of elite poetry. In the writings and self-fashionings that I analyze, however, these would-be laureates employed literary low culture to insert themselves into a prestigious, international lineage; they did so even while creating personas that were uniquely English. Previous studies have also neglected the development of early laureateship and nationalist poetics across the fifteenth, sixteenth, and seventeenth centuries. Examining the ways that cultural cachet—once the sole property of the elite—became accessible to popular audiences, my project accounts for and depends on a long view. My first two chapters analyze writers whose idiosyncrasies have afforded them a marginal position in literary histories. In Chapter 1, I argue that Hoccleve channels Chaucer’s Host, Harry Bailly, in the Male Regle and the Series. Like Harry, Hoccleve draws upon quotidian London experiences to create a uniquely English writerly voice worthy of laureate status. In Chapter 2, I argue that Skelton enshrine the poet’s own fleeting historical experience in the Garlande of Laurell and Phyllyp Sparowe by employing contrasting prosodies to juxtapose the rhythms of tradition with his own demotic meter. I approach Ben Jonson along the path paved by his medieval precursors. In Chapter 3, I argue that in Bartholomew Fair Jonson blends classical comic form with unwieldy city chatter, simultaneously investing the lowbrow with poetic authority and English laureateship with tavern noise. Like Hoccleve and Skelton, Jonson reappears as a product and producer not only of the local literary system to which he was immediately bound, but of a national culture, in no small measure lowbrow, at least two centuries in the makingItem The Wheel of Language: Representing Speech in Middle English Narrative, 1377-1422(2008-04-22) Coley, David Kennedy; Coletti, Theresa M; English Language and Literature; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)This dissertation examines representations of speech in narrative poetry in English between 1377 and 1422, a four-and-a-half decade span marked by almost constant political, religious, social and economic upheaval. By analyzing the work that late medieval writers imagined the spoken word to perform - or, alternately, by examining how speech acts functioned performatively in medieval literary discourse - the author demonstrates how the spoken word functioned as a defining link between the Middle English text and the cultural tumult of the late medieval period. More important, by focusing on speech as a distinct category within linguistic discourse, the study allows for a reappraisal of the complicated relationships between text and cultural environment that have been illuminated by scholarship on the politics of vernacularity and the development of the English language. Chapter one uses The Manciple's Tale to probe Chaucer's engagement with the nominalist philosophy of William of Ockham, a philosophy which opposed the via antiqua and threatened to overturn the linguistic, epistemological, and ontological hierarchies that had been prevailed in various forms since the writings of Augustine of Hippo. Chapter two analyzes representations of sacramental and priestly speech in the anonymous Saint Erkenwald. By doing so, it redirects the critical conversation about the poem away from the role of baptism in redeeming the righteous heathen and toward the eucharistic theology that undergirds it, a critical that shift extends our understanding of the poem's engagement with the emerging Wycliffite heresy and with typological notions of medieval Christian identity. Chapter three focuses on the works of Thomas Hoccleve, fifteenth-century Privy Seal clerk and would-be court poet. By examining the overtly performative speech acts in Hoccleve's Marian lyrics, particularly "The Story of The Monk Who Clad the Virgin," it establishes the existence of an idiosyncratic economy of speech within the poet's canon, an economy that becomes paradigmatic for the mingled systems of monetary and interpersonal exchange that prevailed in the Lancastrian dynasty's early decades.