Art History & Archaeology Theses and Dissertations
Permanent URI for this collectionhttp://hdl.handle.net/1903/2744
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Item Invisible Men, Invisible Women: Labor, Race, and the (re)Construction of American Citizenship in New Deal Post Office Murals(2019) Yasumura, Grace Sayuri; Mansbach, Steven; Ater, Renee; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)Invisible Men, Invisible Women: Labor, Race, and the (re)Construction of American Citizenship in New Deal Post Office Murals is a meditation on the historical construction and persistent importance of race in the formation of American national identity and citizenship. Centering on an institutionally marginalized and academically neglected aspect of American art, this dissertation explores the depictions of non-white laborers, from images of African American sharecroppers to Mexican American migrant laborers that appear in scores of Treasury Section post office murals across the United States. Organized around three case studies, this work explores the different ways racialized identities were created, contested, and consolidated within the context of larger debates surrounding the relationship between labor and citizenship in the 1930s. This dissertation reads the murals produced under the Treasury Section as part of the New Deal’s epistemological regimes of intelligibility. In other words, these murals are to be understood as sites where collective identities are visualized and “correct” codes of social conduct are shaped in order to foster a particular vision of the citizens-subject. Treasury Section post office murals are therefore interpreted as part of a complex set of instruments deployed by the New Deal government as it sought to translate ideology into practice and thus actualize codes of racial and gendered conduct and ultimately modes of ideal citizenship.Item Visualizing American History and Identity in the Ellen Phillips Samuel Memorial(2014) Eron, Abby R.; Ater, Renee; Art History and Archaeology; Digital Repository at the University of Maryland; University of Maryland (College Park, Md.)In her will, Philadelphia philanthropist Ellen Phillips Samuel designated $500,000 to the Fairmount Park Art Association "for the erection of statuary on the banks of the Schuylkill River ... emblematic of the history of America from the time of the earliest settlers to the present." The initial phase of the resulting sculpture project - the Central Terrace of the Samuel Memorial - should be considered one of the fullest realizations of New Deal sculpture. It in many ways corresponds (conceptually, thematically, and stylistically) with the simultaneously developing art programs of the federal government. Analyzing the Memorial project highlights some of the tensions underlying New Deal public art, such as the difficulties of visualizing American identity and history, as well as the complexities involved in the process of commissioning artwork intended to fulfill certain programmatic purposes while also allowing for a level of individual artists' creative expression.