This thesis explores critical regionalism and sustainable design through the adaptive reuse of the former Interwoven Stocking Company mill in Martinsburg, West Virginia. New programming establishes the manufacturing complex as the Interwoven School of Crafts, a learning institution dedicated to the production of functional, handcrafted arts and thereby also to the continuance of local culture.

Regionalistic ideas are further explored through the development of a visitor center and gallery building that showcases the work of the artists. Nestled within the historic complex, this contemporary building is the interface between spaces, materials, and time periods. By building a contemporary structure the character of the existing buildings is enhanced by the contrast rather than trivialized by imitation or replication. By designing with sustainable principles and building craft in mind the newer components will contribute to both the character and the long lifespan of what is already on site.